This 10-digit number is your confirmation number. A mad-eyed exploration into modern optometry is Mike Cahill's ambitious, if flawed, follow-up to 2011's Another Earth. Cinemark Each scene in this film sets up the next scene and the scene after that, and so on, but you really have to be intrigued in order to fully appreciate the story at hand.
I should have bought the DVD, instead of just renting it to watch again. While this is definitely a science versus faith movie, Cahill who both wrote and directed, strikes a solid, sensible balance between the two sides, letting you reach your own conclusions.
All Critics (105) In this thought-provoking drama, a molecular biologist (Michael Pitt) and his lab partner (Brit Marling) make a stunning discovery that may unlock the greatest mysteries of life. Thought-provoking, enlightening, and mysteriously engaging, I loved this film. | Rating: C- All rights reserved.
|, September 12, 2014 like an "ocean's 11" type deal is fine. I do not believe this has ever happened to me before. a huge pet peeve of mine is remaking 4 star (or 5 star on here) films. Brit Marling doesn't claim any writing credit here so this is purely Cahill's concept.
The longer the film goes on, the clunkier, sillier, and more preposterous it becomes.
Writer-director Mike Cahill remains an intriguingly ambitious talent, but with the uneven sci-fi drama I Origins, his reach exceeds his grasp.
| Rotten (50). Reviewed in the United Kingdom on January 12, 2018, Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. They approach the question through the old saying: the eyes are the window of the soul.
Aided by the superior lensing of German Markus Forderer, and a suitably immersive score (from Will Bates and Phil Mossman), Cahill’s film overcomes its scientific shortcomings with a clear and defined sense of purpose.
The acting is very good and the build to the end is methodical and perfect.
Reviewed in the United States on September 5, 2016. Visually, the film mines a vein akin to classic Malick, albeit with an altogether more other-worldly quality, one that appears to be fast-becoming Cahill’s raison d’être. | Rating: 2/5 Although the "eyes" is the metaphor, in reality there are a number of books by doctors providing case information on reincarnation that relates to physical attributes carried forward from life to life, and explaining certain phobias which cannot be explained in the current life experience. and the Terms and Policies, I thought the story was to be non-fiction, however, I was delighted to find that the film was fictional, acted (well acted) and thought-out / fleshed out really well.
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